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《霜髯天工錄》

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    《霜髯天工錄》(第1/2页)
    卷首·殘札
    光宅三年秋,陸鴻漸挾青囊過劍門,囊中無金玉,唯斷簡三束。驛卒見其衣褐肘裂,戲問:「先生所操何業?」鴻漸展顏曰:「補天道裂痕耳。」眾嘩笑而退。是夜宿廢觀,漏盡時忽聞剨然裂帛聲,翌日廂房北壁現丈餘劍痕,深抵磚髓,痕中有光如銀魚遊走。鴻漸已杳,唯門楣懸桃木牘,朱砂書:「不可知者非天道,不可為者非人事。」**
    第一折雪磯授硯
    永徽年間,嶗山陰有叟自號「鐵踝先生」,居蝙蝠崖下石竅,以松針編簑,苔錢為符。每歲驚蟄,必有少年跪竅前求道,叟輒擲礫驅之。獨元和七年,寒食雨霽,白衣童子柳七郎捧露水一甌,自卯至酉,膝下青石沁血紋。
    月出東嶺時,竅中忽伸枯掌,指其甌中影:「雲影動乎?水波動乎?」七郎答:「目動耳。」枯掌撫其頂,石竅豁然中開,別有壺天。玉髓為梁的洞府內,四壁星圖皆用螢火蟲腹血點染,地列三十六銅獸,獸口銜燈,燈油泛龍腦香。叟趺坐蒲團,霜髯垂地三尺,髮梢繫五色粟米,懸如倒生稻穗。
    「吾有三不教。」髯間粟米無風自動,「不知死者不教,不信天者不教,太聰明者不教。」童子稽首:「願聞死。」叟驟揚手,西北壁星斗驟暗,現出大業九年屍陀林圖卷,白骨間有金蟬脫殼,殼隙生紫芝。「此為不可知之天道。」復指東南壁,顯貞觀朝疫坊,耆老以竹筒吮稚子膿瘡,筒中躍出赤鯉。「此為無不可知之人事。」語畢,洞頂墜硯,恰入童子懷。硯底銘文灼灼:「磨劫灰為墨,畫血路作舟。」
    第二折逆舟煮海
    七郎得硯十年,晝觀潮汐夜佔星,硯中墨永不涸。長慶二年,膠州灣現血潮,漁舟觸浪即化骨粉。刺史設壇禳災,忽有赤膊舟子駕獨木舟闖入浪心,舟中載鐵釜,釜下燃碧火。眾皆謂其狂,惟見舟子取硯傾墨,墨入海竟結為玄冰棧道,直通漩眼深處。
    至晦暝水府,巨蚌如城開闔,蚌內臥蜃屍,屍竅湧黑霧。舟子探懷取叟所贈粟米,米粒遇霧即長,瞬息成金黃稻浪,霧觸稻葉凝為玄珠。正此時,蚌殼驟合,黑暗中現叟聲:「蜃妖食夢,汝以人間五穀鎮之,此謂人事可為。然蜃屍本瑤池磯石,因聞天帝醉語『人間當劫』遂墮妄念,此非天道難測耶?」聲漸遠,蚌殼化飛灰,惟留拳大白珠,珠中凍著半句天籙:「……卯時東南傾……」
    七郎攜珠歸崖,叟已候於松下,正以髯梢垂釣雲氣。「知否?此珠實為天機贅疣。」指彈珠裂,內飄出鵝黃碎帛,書:「敕令東海龍孫減祿三紀。」其側另有朱批小字:「然有蘇氏孝婦刳股瀝血,代償其半。」七郎愕然:「天條亦可更易?」叟長笑震落松針:「天條是針,人心是線。針跡縱密,線短則衣破。所謂天道,不過眾生針腳疊成之百衲衣耳。」
    第三折銅雀銜燈
    大和五年,關中地龍轉脊,華清宮湯池湧血泉。欽天監奏稱太白蝕歲,需童男童女各百人沉潭祭煞。時七郎已成「鐵踝先生」衣缽傳人,聞訊截官駕於灞橋,揚硯向天:「今以三十年陽壽,買閻君半更漏!」硯中墨沖霄成夜,白晝驟晦,惟見其咬指血書符,符文化雀,雀目燃磷火,直墜地裂深處。
    地底轟鳴三晝夜,第四日昧爽,血泉漸澄,浮出銅雀殘骸,雀喙緊銜半片玉牒。監正細辨牒文,乃高祖潛邸時手書:「世民若為帝,必廢人殉。」眾悚然跪拜。然七郎已臥殘碑側,左腕脈現青黑線,距心口僅三寸。叟忽自碑陰出,抽鬚為針,刺其天地人三才穴,每刺一穴便喝問:
    「可知蜃屍何來?」答:「天醉謫石。」
    「可知血泉何故?」答:「怨氣結痂。」
    「可知爾將何往?」笑指西天霞:「師曾言無不可知之人事,今知赴死時辰、黃泉路徑、來世母胎,足矣。」語畢氣絕。叟收其屍入青囊,步履過處,碑隙野艾皆開重瓣金花。
    第四折紙馬渡冥
    七郎魂至鬼門關,見忘川水竭,河床遍佈銅齒輪,輪軸嵌人面,轉輒哀嚎。孟婆泣告:「自閣羅王攜生死簿投效阿鼻機械天尊,地府改製,今以『業力引擎』替六道輪迴。」忽有紙馬踏波來,馬上叟揚髯如帆:「痴兒,可知此劫根源?」拋來那方殘硯,硯背竟有細若蚊足的銘文:「貞觀十九年,將作監大匠蘇無咎,以隕鐵心、隴西木牛筋製此硯,獻太宗鎮王氣。安史亂時硯裂,半片墜雲夢澤,半片入高麗貢舶。」
    (本章未完,请点击下一页继续阅读)《霜髯天工錄》(第2/2页)
    七郎撫硯大慟:「原來弟子十年磨墨,磨的是前人肝膽!」叟頷首,髯稍忽化千丈白綾,綾端繫住業力引擎主軸。「天道之裂,起於人情之懈。今地府機械化,正因陽間漸信命數、怠盡人功。」二人合力拽綾,軸心迸火花,無數銅齒輪脫落,輪中人面漸甦,匯作億萬聲「謝」。
    然閣羅王率鋼鐵鬼卒圍至,叟奪硯擲向孽鏡台,鏡面顯驚世畫卷:原來所謂「機械天尊」,竟是當年蘇無咎玄孫蘇慕賢,因祖傳硯失竊鬱結成狂,死後執念所化幻象。「破!」叟叱聲中,萬千銅輪凝為巨掌,托二人衝出幽冥。還陽剎那,七郎腕間青黑線盡褪,掌心多硃砂紋,狀若殘硯。
    第五折髯舟歸墟
    開成元年元日,叟召弟子至東海碣石。潮退時,海底現銅鑄城闕,門楣匾額「天工紀年司」。入內見渾儀自轉,其軌跡非赤黃道,乃歷代饑荒、戰亂、瘟疫的時空坐標。司正竟是一具珊瑚骷髏,見叟即拜:「師尊憫我,留此殘軀守天道裂痕。」
    骷髏自眶中取出玉簡,簡載駭聞:昔女媧補天,遺五色石髓於崑崙心,石髓隨日月呼吸,每吐納一次,人間便現一道「天命裂痕」。歷代皆有「補天人」以精魂填隙,蘇無咎鑄硯鎮王氣、七郎化雀銜天條,皆在此列。「然當世裂痕闊逾百里,非一人可補。」骷髏指渾儀,儀中浮現當今皇室、藩鎮、黎庶的恩怨網絡,每條線皆泛死氣。
    七郎倏然頓悟:「師尊所謂不可知之天道,實是萬民心念交織成的洪流。所謂無不可知之人事,乃因洪流中每粒水珠,皆可擇去向。」遂解衣露出心口,其膚下硯形朱砂紋灼灼如丹。「請以弟子為補天最後一釘。」
    叟不語,抽斷三莖白髯,髯化銀釘,釘入七郎百會、膻中、氣海三穴。剎時風雲變色,東海升起七彩虹橋,橋上走馬燈般閃過秦皇漢武、嵇康陶潛、乃至新喪農婦、襁褓嬰孩的面容。每張臉過處,海底裂痕便癒合一寸。待最後道裂痕彌合,七郎軀殼漸透明,惟心口硯紋飛出,落入叟掌中化為玉蟬。
    珊瑚骷髏忽碎為齏粉,粉霧中現蘇慕賢殘魂,向硯叩首九遍:「祖硯重圓,狂疾得愈。」言畢散入虹橋。叟撫蟬輕歎:「從來補天人,人人是天。所謂天命,不過是前人遺願、今人執念、後人期許綴成的長卷。」振衣躍入歸墟,墟中升起新月,月紋恰似那方硯台。
    尾卷碣石遺刻
    今嶗山蝙蝠崖下,有天然碑石,雨後顯雙色篆文。青文曰:「天工杳渺處」,紅文曰:「人心即斗杓」。樵夫傳聞,每值大疫大旱,便有霜髯老者現於災區,從不施法,只教民眾結繩計數、鑿渠分水、焚薤草驅瘴。問其名,但笑指懷中玉蟬。
    蟬翼在陰雨前夕會自鳴,其聲若童子誦:「有不可知之天道,謂歲星躔次、地脈遷流、宿業因果,如風濤無常。無不可知之人事,謂忠奸選擇、愛憎取舍、生死擔當,似砥柱有定。風濤終散於砥柱,天命永繫於人心。」
    殘碑最末,有深鑿的3993個小孔,孔洞走勢成旋渦狀。鄉塾先生以宣紙拓之,驚見旋渦實為四個小篆:「數盡緣生」。是夜,所有拓本無故自焚,灰燼皆聚向東方——那正是當年鐵踝先生與柳七郎,初見時的第一級石階。
    (全文畢,計3994字)
    跋
    此卷藏於終南山石魚腹中,咸通年間為獵戶劈薪所得。翰苑待詔韓偃觀後題箋:「世傳補天事,多言女媧神跡。此錄獨闢幽徑,謂天裂源於人怠,天命成於人志。尤以『機械地府』喻異化人心,『髯梢垂粟』徵文明薪傳,荒幻處暗合《易》理。至若3993孔洞隱『數盡緣生』,恰應卷首殘札3994字總數,蓋留一字在讀者肺腑耳。」今石魚藏處蔓草掩徑,惟月圓之夜,隱聞磨硯聲與童子誦聲相和,鄉人謂之「天工迴響」。
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